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FOR THE OBJECT THAT HAS REACHED YOU

Care of the Object

Read this once. The object will outlast the reading. What follows is the way the house asks you to keep it — first if it is meant for display, then if it is meant for use.

Choose the register of the object

If the object is held in display

Terracotta and smoke-fired black pottery are not finished surfaces. They are documents — kiln gradients, burnish lines, the pressure of a particular hand on a particular afternoon. Display is the simpler register, but it still asks for attention.

Place out of direct sunlight. Prolonged exposure dulls the burnish on black ware and pales the warmth of terracotta.
Keep away from damp walls and steam. Unsealed clay drinks ambient moisture; over months this surfaces as white salt bloom (efflorescence).
Dust dry, never wet. A soft natural-bristle brush, or a dry cotton or microfibre cloth. Move with the form, not across it.
No chemical cleaners, no polish, no oil. The surface is not glazed. Solvents leave a film; oils darken irregularly.
Lift by the body, not by the rim or handle. Rims are the first edge to chip on hand-pulled forms.
Allow the patina to settle. Black pottery deepens with handling; terracotta warms in tone over years. This is the object continuing to make itself.

Note · for outdoor display

Bring the object indoors before the first rain

Both terracotta and black pottery are unsealed. A single freeze–thaw cycle, or a monsoon soak followed by direct sun, is enough to open hairline cracks. If the piece is meant for a verandah or a courtyard niche, give it cover.

Before the first use

Rinse under cool running water. No soap. The pores need to open.
Submerge or fill with water and let stand for four to six hours. Clay absorbs water before it can hold food without cracking. For larger cookware, leave overnight.
For cookware — first seasoning. After soaking, fill with rice-starch water or thin buttermilk, bring to a slow simmer on low flame for thirty minutes, cool inside the vessel, then wash and dry. This closes the inner surface against staining.
For drinking ware (kullhads, jugs, water jars). After the soak, rinse once more, fill with clean water, let stand for a further twelve hours, discard. The first water carries clay residue.

In daily use

Wash by hand. Warm water, a soft sponge, mild soap only when needed. No dishwasher, no scouring pad, no steel wool. The inner wall is meant to be cleaned, not stripped.
Terracotta cookware belongs on gentle, even heat. Low to medium flame on gas; if using an electric coil or induction, a heat diffuser is required. Never place a cold vessel onto a hot burner — the shock cracks the wall.
Do not microwave smoke-fired black ware. Trace iron in the clay heats unevenly and may spark.
Treat the object as porous. Strong spices and acidic foods (tamarind, tomato, vinegar) carry into the wall. Dedicate one piece to one register of cooking — savoury, sweet, dairy, water.
Resist the urge to oil-polish. Cooking will season the inner surface honestly over weeks. Applied oil from outside goes rancid in the pore.

The one rule most are not told

Dry the vessel completely — fully, all the way through — before the next use or before storing

Clay holds water long after the surface looks dry. A bowl that feels dry to the hand can still be damp two millimetres into its wall. Sealed away damp, that trapped moisture turns to mould inside the pore, sours the next thing cooked in it, and weakens the body until it splits at the rim. After washing, leave the vessel inverted on a wooden rack or a clean cotton cloth, in open air and ambient warmth, for a minimum of twenty-four hours. For thicker cookware, forty-eight. If the piece has been unused for several weeks, soak and dry it again before returning it to use.

A few quieter notes

Smell is information. A faintly earthen note is normal — it is the clay. A sour or musty note means the vessel was stored before it was fully dry. Wash, sun for an afternoon, soak in clean water with a spoon of baking soda for an hour, rinse, dry the full twenty-four.
Small hairline marks on the inside are not cracks. They are crazing — the natural relief of the inner surface as it ages. The vessel remains sound.
Never quench a hot vessel under cold water. Let it return to room temperature before washing.
Store with air around it. Not lid-on, not nested, not cabinet-deep against a damp wall.

A REQUEST IN RETURN

Send the house a short video

The artisans who shape these objects rarely see where they finally rest. A photograph can be staged. A video cannot. Open the box on camera, hold the piece in your light, say a few words about what arrived.

Thirty seconds is enough. The house will send a written reply, and the recording, with your permission, returns to the maker — so the hand that shaped this object knows where it now lives.