In traditional interiors, the mirror was not a standalone object. It was framed as architecture — shaped, bordered, and grounded in wood.
This carved mirror frame follows that lineage. The circular center is held within a sculpted surround, composed of layered scrollwork and a crowned upper motif. The lower extension anchors the form vertically, giving it architectural balance rather than decorative lightness.
The carving process begins with structural marking of the circular aperture. The artisan establishes symmetry first. Relief work follows in stages — background reduction, form shaping, and surface detailing.
Curved feather-like elements, ornamental bands, and flowing contours are carved through controlled chisel passes. The surface retains subtle tool rhythm beneath its finish, preserving the evidence of hand shaping.
At 1.5 feet in height, the frame holds presence without excess. It may be placed:
The wood surface is allowed to retain natural tonal warmth. With time, its color will deepen, responding to light and environment.
The mirror does not dominate the carving.
The carving holds the mirror.
Human time, preserved.
Product Overview
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Material: Solid Poola Wood
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Origin: Madhavamala, Andhra Pradesh, India
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Dimensions: 1.5 ft x 1 ft x 2 inch
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Form: Circular wall mirror frame
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Motif: Parrot and floral scrollwork
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Technique: Hand carved relief
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Price: 19,000
Origin
Madhavamala, Andhra Pradesh, preserves a temple-oriented carving tradition where form is governed by proportion and motif lineage.
Poola wood, native to the region, is selected for its workable density and fine grain. It allows depth carving without structural strain and ages into a warm, muted tone over time.
The parrot — a recurring figure in South Indian wood carving — symbolizes speech, devotion, and poetic continuity. In architectural carvings, it often appears as a guardian of thresholds and openings.
This frame draws from that vocabulary.
Craft & Process
The frame begins as a single block, proportioned to maintain circular balance. The inner ring is first cut and smoothed to define structural stability.
Relief carving proceeds outward:
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Floral scrolls are shaped to create rhythmic curvature.
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The parrot form is carved last, allowing the body to emerge from the surrounding wood rather than being attached separately.
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Surface refinement is done using hand chisels and small gouges to maintain tactile depth.
No casting.
No machine routing.
The evidence of hand work remains in the subtle tool rhythm across curves and feather lines.